Flix

Fahadh Faasil’s 'Trance' is a big budget film

Written by : TNM

If the reports doing rounds in tinsel town are to be believed, Faahadh Faasil’s Trance would be the highest budget film in his career so far.

Sources say that the film is being made on a budget of Rs. 15 crores and that this is the highest budget ever for a Fahadh Faasil starrer. Directed and produced by Anwar Rasheed, the film’s cinematography is handled by noted cinematographer and director Amal Neerad.

The first look poster of the film released a few weeks ago and has grabbed the attention of movie buffs. With Anwar Rasheed, Fahadh Faasil and Amal Neerad teaming up, the expectation levels have shot up.

Incidentally, Anwar Rasheed and Fahadh had teamed up for the anthology film Anchu Sundarikal, which was a hit. According to reports, Trance is expected to hit the marquee in April next year. The film is being produced under the banner Anwar Rasheed Entertainments.

The technical crew includes the Oscar winning sound engineer Resul Pookutty, and script writer Vincent Vadakkan. Trance will be shot extensively in Kanyakumari, Nagercoil, and Kochi. Meanwhile, Fahadh is busy with a couple of films including Aannengilum Alenkilum and Carbon in Malayalam and Velaikaran and Aneethi Kathaigal in Tamil.

Interestingly, Velaikaran will mark the star’s debut in the Tamil film industry. It may be noted here that he is sharing screen space with Siva Karthikeyan and Nayanthara in the film. Directed by Mohan Raja, Velaikaran is produced by RD Raja under his banner 24 AM Studios. Anirudh Ravichander is scoring the music for this flick with Ramji cranking the camera and Vivek Harshan editing it. The film’s release is currently scheduled to be September 29.

(Content provided by Digital Native)

Being KC Venugopal: Rahul Gandhi's trusted lieutenant

SC rejects pleas for 100% verification of VVPAT slips

Mallikarjun Kharge’s Ism: An Ambedkarite manifesto for the Modi years

Political battles and opportunism: The trajectory of Shobha Karandlaje

Rajeev Chandrasekhar's affidavits: The riddle of wealth disclosure