In his speech at the closing ceremony of IFFI 2022, jury head Nadav Lapid said the movie was inappropriate for an artistic and competitive section of such a prestigious film festival.

A poster of The Kashmir Files
news IFFI 2022 Tuesday, November 29, 2022 - 08:19
Written by  Agencies

Israeli filmmaker Nadav Lapid, the jury head of the 53rd International Film Festival of India (IFFI), on Monday described Hindi film 'The Kashmir Files' as "propaganda" and “vulgar". In his speech at the closing ceremony of IFFI 2022, Lapid said he was "disturbed and shocked" to see the film being screened at the film festival.

"All of us were disturbed and shocked by the movie 'The Kashmir Files'. It felt to us like a propaganda and vulgar movie that was inappropriate for an artistic and competitive section of such a prestigious film festival. I feel comfortable to openly share this feeling with you since the spirit of the festival can truly accept critical discussion which is essential for art and life,” Lapid said.

'The Kashmir Files', which was released in theatres on March 11, was part of the Indian Panorama Section at IFFI and was screened on November 22.

Written and directed by Vivek Agnihotri and produced by Zee Studios, the film depicts the exodus of Kashmiri Hindus from Kashmir following the killings of people from the community by Pakistan-backed terrorists.

It stars Anupam Kher, Darshan Kumar, Mithun Chakraborty and Pallavi Joshi among others. Kher attended the special screening of the film at the 53rd IFFI on November 22. The nine-day-long film gala began on November 20.

On November 23, Anupam Kher, speaking about 'The Kashmir files' had said that it helped people all over the world to be aware of the tragedy that happened to Kashmiri Pandits community in 1990s.

Read: Kashmir is not a file: Propaganda and politics in India

"It is a film based on true incidents. Film director Vivek Agnihotri interviewed around 500 people all around the world for the movie. On the night of January 19, 1990, five lakh Kashmiri Pandits had to leave their homes and memories in the Kashmir Valley following rising violence. As a Kashmiri Hindu, I lived with the tragedy. But nobody was recognising the tragedy. World was trying to hide this tragedy. The film started a healing process by documenting the tragedy," Kher had added.

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