And then, the mood finally changes (happens in a song, big surprise). The cat and mouse game that follows this has some intense action sequences and moments of tension. As the body count goes up and Baba Sehgal as Kamath, the rogue cop, goes hunting for the young couple, you look forward to a denouement that will tie up all the loose ends and make sense of all the violence. What you get instead is a one scene, thoroughly unconvincing explanation for what was going on. Let me use the most popular phrase in the country currently - it's a surgical strike on rationality.
Naga Chaitanya and Manjima Mohan hit it off and they share a decent chemistry, although Naga Chaitanya becoming a "man" because he wields a gun is cringe-worthy. While Naga Chaitanya's range of expressions is pretty limited, Manjima does well in the romantic scenes as well as the turbulent ones. The plot with its large holes, however, is too much of a let-down. At the end of "Sahasam Swasaga Sagipo", you wonder which dish Gautam Menon had in mind when scripting the film - aviyal or idli upma?